Greigh Johanson

We may be used to zombie movies these days, but none quite so original as **Bone Sickness**. **Brian Paulin** hands us a classic "rise from the grave"-film with old-school effects. But I'm not positive charged for this movie, because it carries more flaws than it succeeds to carry up. The film starts very strong, with a good performance, a good storyline and great passion, but **Brian** manages his work careless into the mid-movie. I don't think the special effects are fantastically alluring to watch at, it's because the poor editing that removes the ultimate experience. It jumps from scene to scene and shows designs from different angles with some really bad cuts. And the story seemed to suffer with it towards the end, when the film meaningful measures aimed at the audience become lost in a series of uninteresting effects. **Bone Sickness** is a nice try that could have been better. Light-set is such as beneath contempt and the actors are not the best team. But to speak good about the movie, I get to say that **Brian** actually has worked diligently for such a none-budget film. Most of the buildings and properties is home buildings which he made in his garage and constitution of the zombies are really scary executed. I also liked the scenes with the worms and the sound effects in this movie is probably among the juiciest you can find on film. I think **Andrey Iskanov** and **Brian Paulin** is in their heels with those sounds. It sounds like a tight pussy get squeezed in an Asian porn. This is a film that must have been seen in order to be able to understand its complete entirety. Possibly it will be your last trip in **Brian Paulin**'s odd world, but do you like old-school movies with a content of breasts, dirty zombies and much of gore, you'll probably appreciate it.